There is an accusation floating around (which I imagine will be hotly contended in the trenches of Paris' image trade), which asserts that French culture, due to the Catholic Church's censorship of books during the Counter-Reformation, never really embraced graphic functionality.
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“The air is rich tonight: still and cold, high pressure, the best time of year. . . . Above 650, the clicks dissipate into a thin, pervasive noise, like dust. Discharges break across this: distant lightning, aurora borealis, meteorites. Their crashes and eruptions sound like handfuls of buckshot thrown into a tin bucket, or a bucketful of grain-rich gravy dashed against a wash-boiler. Wireless ghosts come and go, moving in arpeggios that loop, repeat, mutate, then disappear.”
Tom McCarthy. "C"
CURRENT READING...dontstopdontstopdontstopdontstop:Hans Ulrich Obrist: Edited by April Elizabeth Lamm : Preface by Rem KoolhaasSubmitted by Wayne on Wed, 2013-07-24 03:18.
U+ MAG ISSUE N° 101 | TRENDt | SPFW Spring/Summer 2014 | Clarice Vitkauskas | Pedro Lourenço | Emma Arvida ByströmSubmitted by Wayne on Thu, 2013-03-28 15:21.
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