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SAM DURANT: WHAT #ISAMUSEUM

My personal answer to Durant's project would be that a great museum is a huge reflecting cultural mirror.My personal answer to Durant's project would be that a great museum is a huge reflecting cultural mirror.

Multimedia artist Sam Durant's what #isamuseum project has always stayed with me.

WORK IN PROGRESS : #BASE@MOMA : LOOKS : #THEIMAGE

Lucas/Request wears shirt X Dries Van Noten . Wrap, shorts and shoes X Eckhaus Latta. Styling x Hannelore KnutsLucas/Request wears shirt X Dries Van Noten . Wrap, shorts and shoes X Eckhaus Latta. Styling x Hannelore Knuts

Lucas at Request,

TI IS MAD FOR: Base Design's logo and visual language for the Foundation Louis Vuitton

"If the building is a sailboat, why not a vessel that will take you on new and exciting journeys?""If the building is a sailboat, why not a vessel that will take you on new and exciting journeys?"

Louis Vuitton’s chairman Bernard Arnault wanted to offer Paris an exceptional new space for contemporary art. So he asked Frank Gehry to design an emblematic building-vessel “symbolizing the cultural calling of France”. Base's task was to create a logo and visual language that embodied the vision of the project’s two grandmasters.

CURRENT VIEWING: Jason Rhoades at David Zwirner (NYC) : Until Oct 18th 2014

The show is a reinstatement of the artist’s PeaRoeFoam project, which debuted at the gallery in 2002.The show is a reinstatement of the artist’s PeaRoeFoam project, which debuted at the gallery in 2002.

David Zwirner is pleased to present its first exhibition of Jason Rhoades’s work since Black Pussy in 2007. On view at 537 West 20th Street in New York, the show will be a reinstatement of the artist’s PeaRoeFoam project, which debuted at the gallery in 2002 (then located on Greene Street in SoHo) in the first of a trilogy of exhibitions that also brought it to Vienna and Liverpool the same year. A seminal work within Rhoades’s career, it has not been exhibited as a comprehensive presentation until now and many of the individual components are shown here for the first time since the original installations.

WORK IN PROGRESS : #BASE@MOMA : LOOKS

Chris Kadima wear Eckhaus Latta over Telfar. Styling: Hannelore KnutsChris Kadima wear Eckhaus Latta over Telfar. Styling: Hannelore Knuts

Client Brief: Create a design dialogue between the established ranks of marquee Belgian designers and the emerging forces of New York's new "digital downtown" . These are the ideas in progress.

TI IS MAD FOR: @ORGANARMANI

Digital Dissidence.Digital Dissidence.

Look, if Two Hustlers, Nicola Formichetti's band of misfits-wild, punk, provocative, radical, fearless, subversive, boisterous & anarchic creatives have bequeathed them one of their three grants, them TI is fully on board.

Current Viewing: Moving Stories : Nicolas Provost

Nicolas Provost is a filmmaker and visual artist living and working in Brussels, Belgium.Nicolas Provost is a filmmaker and visual artist living and working in Brussels, Belgium.

As projected on the backdrop of the A.F Vandervorst SS 15 show in Paris. #The Image

Breakthrough Show: “Postcodes” at Coletor (Sao Paulo)

Postcodes seeks to question how dominant patterns of codification are being transformed today.Postcodes seeks to question how dominant patterns of codification are being transformed today.

All the cool young curators like Tim Goessens tell us that Sao Paulo's art scene is throbbing hot. Here's proof plenty in the form of a remarkably well thought out show that destabilized the idea of geographic codification as well as introducing the culturally rich idea of nodal/global inter-action. I've always loved the transculturalism of the new generation of Brazilian design innovators like the U-Mag contingent. This show codified the implications of the work of this brave new post-Deleuzian generation

PoemField No. 2 (1966) : Stan VanDerBeek

Each film was constructed using Knowlton's BEFLIX computer language, which was based on FORTRAN.Each film was constructed using Knowlton's BEFLIX computer language, which was based on FORTRAN.

From 1964 through around 1969, artist Stan VanDerBeek worked with computer scientist Ken Knowlton on a series of films:

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