PARTICIPANT INC is honored to present Greer Lankton, LOVE ME, an exhibition organized in cooperation with the Greer Lankton Archives Museum (G.L.A.M.). This is the first major New York solo exhibition of Lankton (1958-1996) since her death. Representing the scope of Lankton’s work with nearly 100 of Lankton’s dolls, photographs, and works on paper, LOVE ME is structured by a selection of photographs by friends and peers including Nan Goldin, Timothy Greenfield- Sanders, Peter Hujar, Eric Kroll, Zoe Leonard, Paul Monroe, Daryl-Ann Saunders, Kate Simon, and Geoff Spear; films by Joyce Randall Senechal and Nick Zedd; as well as ephemeral material.
Submitted by Wayne on Tue, 2014-12-02 18:08.
Submitted by Wayne on Sun, 2014-11-30 14:39.
Fon Vodun object, Benin (34 x 6.5 x 9.5 cm) wood, rope, sacrificial patina : COLLECTION ANNE AND JACQUES KERCHACHE :PH: Yuji OnSubmitted by Wayne on Wed, 2014-11-26 16:18.
Submitted by Wayne on Mon, 2014-11-24 19:04.
Modern Matter describes itself as a "forum for truly bespoke art content that collaborates with artists in real and varied ways eschewing static photoshoots and Q&A interviews" and within that mission statement is a whole world of inspiration. Visually, the magazine aims to treat the presentation of the arts as an art-form in and of itself, through an experimental approach to design and non-linear values in the field of editorial content.
Submitted by Wayne on Fri, 2014-11-21 16:50.
Submitted by Wayne on Wed, 2014-11-19 22:26.
EAGERLY ANTICIPATING: 032c Winter 2014/2015 : Cover 1/3: Stella Tennant by Alasdair McLellan and Benjamin Bruno.Submitted by Wayne on Tue, 2014-11-18 16:18.
Submitted by Wayne on Mon, 2014-11-17 03:54.
CRUSHfanzine and Marianne Boesky Gallery Presents "Something Beautiful" : Curated by CRUSHfanzine: Until Dec 20th (NYC)Submitted by Wayne on Mon, 2014-11-17 02:05.
Marianne Boesky Gallery is pleased to present Something Beautiful, a group show curated by Nicolas Wagner and Khary Simon of CRUSHfanzine. This exhibition uses the lens of contemporary photographic portraiture to examine the ideals of youth as a product of memory and the wisdom of hindsight. Like a daydream, the works on view propose the fleeting sensuality of a fantasy, coupled with the sense of loss that comes from a jolt back to reality—a juxtaposition analogous to the journey from childhood to adulthood.
Gwanju Biennale: Burning Down the House : Curated by: Jessica Morgan : Gwangju Biennale Hall and Gwangju Folk Museum: (Gwangju)Submitted by Wayne on Sat, 2014-11-15 15:25.