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EAGERLY ANTICIPATING: HOLIDAY MAGAZINE: THE JAPAN ISSUE

Après l’Ecosse, c’est au Japon qu’Holiday Magazine a choisi de consacrer ses pages.Après l’Ecosse, c’est au Japon qu’Holiday Magazine a choisi de consacrer ses pages.

TI doesn't hide his fascination with Japan and its multifaceted culture nor can he even hope to veil his fetish for all things Klossowski. So, when courtesy of the new issue of Holiday, Countess Setsuko Klossowka Rola opens the doors of her legendary Swiss chalet, Rossignère, who do you think is first at the portal? Add to that, an Inez and Vinoodh collaboration with Serge Lutens to pay tribute to the Kabuki theatre, Edie Campbell's travel snippets and Karim Saldi's photo-essay on Japanese expatriates in Paris and the consequence is a must-read publishing event. We ache in anticipation.

Après l’Ecosse, c’est au Japon qu’Holiday Magazine a choisi de consacrer ses pages. Dépêché sur l’archipel dans la droite lignée des périples esthétiques chers à la revue, le photographe Josh Olins pourchasse les mystérieuses beautés nippones jusque dans leur décor.

TI PREVIEW: MODERN MATTER: ISSUE #7: POSTMODERN

Cover star Sarah Lucas, Great Britain's representative at the 2015 Venice Biennnale selects from her early 90's archive for MM#7Cover star Sarah Lucas, Great Britain's representative at the 2015 Venice Biennnale selects from her early 90's archive for MM#7

Modern Matter describes itself as a "forum for truly bespoke art content that collaborates with artists in real and varied ways eschewing static photoshoots and Q&A interviews" and within that mission statement is a whole world of inspiration. Visually, the magazine aims to treat the presentation of the arts as an art-form in and of itself, through an experimental approach to design and non-linear values in the field of editorial content.

TI PREVIEW: DOUBLE MAGAZINE #28 : PART TWO

From the forthcoming DOUBLE MAGAZINE #28.From the forthcoming DOUBLE MAGAZINE #28.

And now we dive into the well of the audacious new Double, complete with contributions by Jamie Hawkesworth, Marie Chaix, Heji Shin, Jodie Barnes and Camille Bidault Waddington. The taste point displayed is immaculate!

TI IS MAD FOR : I Just Arrived In Paris : Nicolas Ghesquiere & Juergen Teller

Passion in a seductive package.Passion in a seductive package.

It's so beautiful - quality box, photo prints, small fold out posters, large fold out posters, a letter from Juergen Teller in English and françois. It's like the best Fashion Week show package ever, with the highest budget... as an object it works !

James Tinnelly on " I Just Arrived In Paris" - Nicolas Ghesquiere & Juergen Teller

TI PREVIEW: DOUBLE MAGAZINE #28

TI's love of Double magazine is well documented and every new issue is a cause for celebration!TI's love of Double magazine is well documented and every new issue is a cause for celebration!

Harbinger of a new taste, a window into the by laws and by ways of contemporary Paris, a visually rich book with the kind of intelligence that would have made Deleuze and Guattari break into wild applause…you get the ideal ! TI's love of Double magazine is well documented and every new issue is a cause for celebration! Here's to fashion fearlessly renewing itself.

SPUR NOVEMBER 2014 : Love Mode, Love Spur: 25th Anniversary Issue

Karl Lagerfeld, Esmerelda Reynolds and Choupette photographed by Karl Lagerfeld for Spur November 2014Karl Lagerfeld, Esmerelda Reynolds and Choupette photographed by Karl Lagerfeld for Spur November 2014

In its 25 years of existence , Spur , a magazine published by the ,massive Shueisha media empire in Japan has become a powerhouse in its home market. It has also been model mad that entire time, from its early covers Kate Moss (1995) and Carolyn Murphy (1996) to the most recent era of Daria (2006), Gemma, Agyness (2007) and Freja (2010),

TI IS MAD FOR : Aperture #216 : "Fashion" : Edited by Inez &Vinoodh

Writer Donatien Grau describes I&V's  agnostic practice as a “collaboration embedded within collaborations,”Writer Donatien Grau describes I&V's agnostic practice as a “collaboration embedded within collaborations,”

"Though this issue’s title appears in quotation marks, the intention is not to be ironic, or to suggest skepticism. Rather, the quotes allude to image quotation and reference, which 
are part and parcel of any creative act but are essential to the world of fashion. “In today’s professional climate . . . you’re only as good as your references,” guest editors Inez & Vinoodh note in their introduction to a portfolio of images by fashion’s most iconic and imitated photographers. Referencing is delicate, requiring thoughtful handling to avoid crossing the line into copying. Curator Charlotte Cotton remarks in her contribution that fashion photography’s often transparent
 use of references may be one reason why the genre is criticized from other corners. But in the end what matters is how a reference is used: when adequately transformed, you may sense a quotation but won’t recognize its source.

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