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TI IS MAD FOR: THE PX GROTESK- LIGHT TYPE

Px Grotesk – when Pixels become Curves.Px Grotesk – when Pixels become Curves.

TI has just made an acquaintance with this formidable font. Its ability to span disparate worlds has put tears in my eyes. Where has this PX Grotesk been all my life?

TI DATE: Dalton Maag x Method: About Typography in the Digital Landscape : SEPT 16th 2014: METHOD (LONDON)

Dalton Maag and Method invite you to an evening panel discussion during London Design Festival to celebrate the collaboration between the two studios and spark debate about typography in the digital landscape.

Facing the new contexts of the future.Facing the new contexts of the future.

TIMES NEW ROMAN : A REHABILITATION

Poor Times New Roman sits alone  in a gentleman's club, reading a real newspaper, getting its fingers ink stained.Poor Times New Roman sits alone in a gentleman's club, reading a real newspaper, getting its fingers ink stained.

Ah the Times New Roman font, created in the early 30's by Stanley Morrison via a commission by The Times Of London. It reeks a very crypto- imperial aura of authority and power. It is a stern Praetorian guard of a font, standing bolt upright and radiating truth, clarity and control.

TI IS MAD FOR: BOURGEOIS ULTRA

Bourgeois Ultra Condensed Designed by Jonathan Barnbrook and Marcus McCallion in 2005Bourgeois Ultra Condensed Designed by Jonathan Barnbrook and Marcus McCallion in 2005

Yes I'm a font freak.

Protrusion

Evolve through the barrageEvolve through the barrage

Character protrusion

Romain BP Text is EVERYTHING!

In 1692, Louis XIV decreed that a new typeface should be created which would be for the exclusive use of the Imprimerie RoyaleIn 1692, Louis XIV decreed that a new typeface should be created which would be for the exclusive use of the Imprimerie Royale

A revival of the Romain du Roi (King's Roman) commissioned by Louis XIV and cut by Philippe Grandjean in 1705

Current Reading: FUSE 1-20 : Taschen

Research Studios ParisResearch Studios est un réseau d’agences d’identité de marque et de communication visuelle.Research Studios ParisResearch Studios est un réseau d’agences d’identité de marque et de communication visuelle.
“FUSE was a project ahead of its time and is now even more vital in informing our understanding of our new digital communications space. It shows how important the need is for a constant state of experimental language. Its amazing to have this chance to re-view this vital collection of creative work for which we are delighted to partner with Tachen books.”

Neville Brody, Creative Director of the Research Studios Network

Luxury Is Color

The legendary YSL  logo was designed in  1963 by Adolphe Jean-Marie Mouron a/k/a CassandreThe legendary YSL logo was designed in 1963 by Adolphe Jean-Marie Mouron a/k/a Cassandre

I'm currently entrenched in this design project.

TI IS MAD FOR : +81 Magazine : Vol.55 Graphic Behind the Art Scene issue

+81 interviewed designers who  focus on graphic design in the art world.+81 interviewed designers who focus on graphic design in the art world.

「アートシーンにおけるグラフィックの役割と可能性」を探るべく、世界中の美術館やギャラリー、アートフェアに着目。ヴィジュアル・アイデンティティ(VI)を中心に、アート界におけるグラフィック・デザインに焦点を当て、制作を担当したデザイナーと、依頼主である美術館側の双方へ取材を敢行した。

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Taste is a dictatorship.

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