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Current Reading: Sacai A-Z : Rizzoli

Lavishly illustrated with over 200 photographs and in-depth essays by fashion journalists and collaborators.Lavishly illustrated with over 200 photographs and in-depth essays by fashion journalists and collaborators.

The first comprehensive and highly personal look into the work of Sacai,

Current Reading: The Passion Of Michel Foucault: James Miller : Simon and Schuster,

Miller grounds Foucault historically, both in terms of the social turmoil of France in the 60's and 70's.Miller grounds Foucault historically, both in terms of the social turmoil of France in the 60's and 70's.

Michel Foucault scared the shit out of me

Current Reading:L'Agonie : Jean Lombard:

Although almost completely forgotten today, Lombard  influenced contemporaries such as Rachilde and Jean LorrainAlthough almost completely forgotten today, Lombard influenced contemporaries such as Rachilde and Jean Lorrain

In L'Agonie, Lombard connects the Elagabal cult to an ideal of

Current Reading: Reflections on Japanese Taste: The Structure of Iki by Kuki Shuzo

Kuki's preference for late Edo culture has impressed many a reader as eccentric, if not perverse.Kuki's preference for late Edo culture has impressed many a reader as eccentric, if not perverse.

Kuki Shuzo was a cosmopolitan member of an early twentieth-century modernising elite in Japan.

Current Reading: Sade, My Neighbour: Pierre Klossowski

In Bastille where the Marquis de Sade weathered his long imprisonment,   witnessing approximately 1800 decapitationsIn Bastille where the Marquis de Sade weathered his long imprisonment, witnessing approximately 1800 decapitations

Well here we go again, me with my unrehabitable fetish for all things Klossowski. This time around, this seminal thinker is throwing acid by

Current Reading: Mau­rice Blan­chot: Le Livre à venir : Ed. Gal­li­mard

"But if the world is a book, any book is the world.""But if the world is a book, any book is the world."

La vérité de la lit­té­ra­ture serait dans l’erreur de l’infini. Le monde où nous vivons et tel que nous le vivons est heu­reu­se­ment borné. Il nous suf­fit de quelques pas pour sor­tir de notre chambre, de quelques années pour sor­tir de notre vie. Mais sup­po­sons que, dans cet étroit espace, sou­dain obs­cur, sou­dain aveugles, nous nous égarions.

CURRENT READING: Le temps retrouvé de Cy Twombly

Very inspired, right this minute, by the photography of Cy Twombly.Very inspired, right this minute, by the photography of Cy Twombly.

Si vous aimez déjà les peintures de l’artiste Américain Cy Twombly, vous aimerez certainement ses photos aussi.

Current Reading : Pouvoirs de l’horreur (Powers Of Horror): Julia Kristeva

Kristeva in this book-length essay addresses  the role of abjection  as a psychosocial property and a literary device.Kristeva in this book-length essay addresses the role of abjection as a psychosocial property and a literary device.

"The horror of something grand fallen into nothingness, dissolved beyond usefulness, decayed to its primeval corpse-self, is the territory of literature where Kristeva finds the greatness of abjection.

Current Reading: Les Erotiques du Regard. 1968 : Jacques Delfau and Marc Attali: Andre Balland

Gr. 4° (356x273mm). Mit 64 Photoheliogravüren von M. Attali. 114 nn. S., illustr. Orig.-Pappband.Gr. 4° (356x273mm). Mit 64 Photoheliogravüren von M. Attali. 114 nn. S., illustr. Orig.-Pappband.

Cartonnage de l´édition illustré d´une photographie. - Edition originale réalisée dápres une maquette de Herman en collaboration avec Marc Attali et Jacques Attali. The book is full of snatched images of woman in public, on the streets and in cafes, voyeuristically focusing on their bodies, primarily legs.

Current Reading: Posséder et Detruire: Strategies Sexuelles dans l'art d'Occident

C'est-à-dire que, comme dans tout peep-show, on ne voit rien.C'est-à-dire que, comme dans tout peep-show, on ne voit rien.

In 2001, the then chief curator of the Louvre, Régis Michel, organized an exhibition called "Posséder et Detruire: Strategies Sexuelles dans l'art d'Occident", (Possess and Destroy,: Sexual Strategies In Western Art,)

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