Untitled (I’ve stolen it) (2014), is an animated
Submitted by Wayne on Sat, 2015-01-17 16:23.
Submitted by Wayne on Tue, 2015-01-13 23:03.
Chris Ofili, Afronirvana, 2002. Oil, acrylic, polyester resin, aluminum foil, glitter, map pins, and elephant dung on canvasSubmitted by Wayne on Tue, 2015-01-06 21:52.
SHERRIE LEVINE Alligator, 2014 Bronze 13.3 x 48.9 x 21.6 cm (5 1/4 x 19 1/4 x 8 1/2 in.) Edition of 12Submitted by Wayne on Mon, 2014-12-29 00:20.
Submitted by Wayne on Thu, 2014-12-11 16:49.
Submitted by Wayne on Wed, 2014-09-03 15:43.
Submitted by Wayne on Mon, 2014-09-01 22:28.
Submitted by Wayne on Mon, 2014-08-25 22:15.
Although he rarely used a camera, Robert Heinecken (1931–2006) is widely regarded as one of the most influential photographers of post-War America. He described himself as a ‘paraphotographer’, and it was as such that he tirelessly explored the nature of photography and the ideas traditionally associated with it through a large variety of techniques, including sculpture, video, printmaking and collage. The exhibition at WIELS examines a pivotal period in his career, during which Heinecken used a Polaroid SX-70 camera.
Submitted by Wayne on Fri, 2014-08-15 16:09.