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TI PREVIEW: Modern Matter: Issue No. Six

Sam Rollinson wears Raf Simons, Play Commes Des Garcons and John Smedley.  PH Alasdair McLellan.Sam Rollinson wears Raf Simons, Play Commes Des Garcons and John Smedley. PH Alasdair McLellan.

For your viewing pleasure, ladies and gentlemen, further glimpses of the forthcoming issue of Modern Matter magazine highlighted by cover star Lara Stone as well a beautiful story featuring lovely Sam Rollinson.

TI IS MAD FOR : CAPARA

THE ASPIRATION OF THE LABEL CAPARA IS TO COMMUNICATE A COEXISTENCE OF A DESIGNED VISUAL WORLD, AND OF WORDS AND STORIES.THE ASPIRATION OF THE LABEL CAPARA IS TO COMMUNICATE A COEXISTENCE OF A DESIGNED VISUAL WORLD, AND OF WORDS AND STORIES.

The Capara sisters, Vera and Olivera, are for my mad money, one of the great underestimated talents of contemporary fashion.

TI IS MAD FOR : MR. GENTLEMAN FALL 2014

Onsies were another piece making appearance in long legged black and short legged puffed out down.Onsies were another piece making appearance in long legged black and short legged puffed out down.

2002年にリリースされたアシャンティのデビュー曲「FOOLISH」のサウンドと共に幕を開けた「MR. GENTLEMAN(ミスター・ジェントルマン)」の2014/15年秋冬コレクション。英国トラッド、マウンテン、アウトドア、ミリタリーとカジュアルながらもジャケットを羽織ったスタイルでまさにジェントルマン。デニムのセットアップにジャンプスーツ、ツイードにキルティング、レイヤードしたスタイングに、テーラードのラペルを取り入れたMA-1。個人的には終盤に登場したハットをかぶったマウンテンルックがお気に入り。これぞ”東京”と言わんばかりのミックスされた紳士たち。

The Beauty Index: Kiko

Otsukare sam team! Via @joe_tokyodandyOtsukare sam team! Via @joe_tokyodandy

Current Listening:Miharu Koshi: Parellelisme

Miharu Koshi is an icon  of the 80's Japanese electronic music scene.Miharu Koshi is an icon of the 80's Japanese electronic music scene.

EAGERLY ANTICIPATING: MODERN MATTER ISSUE SIX: THE DE STIJL ISSUE

The Lara Stone photographed by The Alasdair McLellan. #newgeneration #disappearreappearThe Lara Stone photographed by The Alasdair McLellan. #newgeneration #disappearreappear

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" the idea of the introspective - a take on culture which looks within, and everyday life, in a sense; the idea of creating a magazine which can document not only the actual mainstream medium of culture, but the existence of a culture consumer which runs alongside it.

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