LOVE occurs beyond GOOD and EVIL.
Submitted by Wayne on Sat, 2015-04-11 18:16.
Submitted by Wayne on Tue, 2015-03-31 23:20.
Interesting rediscovery via http://www.lightindustry.org !
In the mid 1960s, Edward Owens was an African-American teenager attending the Art Institute of Chicago when Gregory Markopoulos arrived to found the school’s film program. Owens, who was then studying painting and sculpture, had already been making 8mm movies for a few years; impressed by the maturity of his work, Markopoulos encouraged him to move to New York. Owens arrived in Manhattan in 1966 with Markopoulos, who quickly ushered him into the world of the city’s cultured demimonde, introducing him to figures like Andy Warhol, Gerard Malanga, Marie Menken, Gregory Battcock, and filmmaker-poet Charles Boultenhouse. Soon, Owens became romantically involved with Boultenhouse, and moved into the West Village apartment where Boultenhouse already lived with his lover of many decades, the legendary critic Parker Tyler, who accepted the arrangement.
Submitted by Wayne on Tue, 2015-02-03 14:46.
Submitted by Wayne on Thu, 2015-01-08 21:52.
Submitted by Wayne on Sat, 2015-01-03 06:05.
Submitted by Wayne on Sat, 2014-12-27 19:40.
Submitted by Wayne on Wed, 2014-12-17 03:15.
Submitted by Wayne on Wed, 2014-12-10 17:37.
“Films, in my opinion, are hardly seen any more, since for me ‘seeing’ means the possibility of comparing. But comparing two things, not comparing an image and the memory that one has of it. Compare two images, and at the moment one sees them, trace certain relationships. But for this to be possible, the technical infrastructure that exists today needs to make it possible.”
Jean Luc Godard.
Submitted by Wayne on Fri, 2014-11-07 15:51.