Submitted by Wayne on Fri, 2008-03-21 18:59.
Who invented the supermodel? Was it Gianni Versace when he started to employ the top editorial stars of the day in his runway shows? Was it Steven Meisel when he started to bulk-book The Trinity (Christy, Linda, Omi) month after month for every gig in sight? Maybe it was Gerald Marie and John Casablancas when they started to package the right girls dressed in the right clothes, staying at the right hotel at premium rates to the clients. Or was it the girls who took these opportunities as presented by Gianni and Steven and Gerald and ran like thieves with it all the way into history ( with stops off at The Fashion Cafe, The George Michael "Freedom" video and an aerobic video here or there).
Submitted by Wayne on Fri, 2008-03-07 14:56.
There has been a lively discussion around the recent Inez and Vinoodh post that raised very smart questions about the chances a new generation of photographers have in breaking into the campaign market. That discussion has led to a flurry of calls to TI and let's just say if there IS indeed a recession looming, brands are bracing themselves for it by taking no chances. And when we say brands, its almost as if you have to start thinking of the current photography establishment as brands in and of themselves.
In the meantime Testino Unlimited is shooting an All-Testino issue of German Vogue right this minute, including a Top 10 New Models edit with a short-list so spot-on I almost want to leak it. Almost lol.
Submitted by Wayne on Thu, 2008-01-17 14:17.
I never thought I'd be reaching back to anything so recent as the work of stylist Jason Farrer as a reference, but here I am. I used to see JJ, as all his mates called him, around the clubs of NY and what I felt was a mixture of awe and envy because he was soooo NY. He wore sharkskin suits to hip-hop clubs and always had the best entourage. Jason Farrer's work was so clever in the way it absorbed all these very urban-Latino street elements and threw them up on the high wall of fashion. There was something of the NY graffiti master to his way of styling , which was to throw outfits together in a way that had a signature "tag" to it. Only JJ could drop it-just-like-that.
Submitted by Wayne on Tue, 2008-01-08 15:59.
Submitted by Wayne on Mon, 2007-12-17 14:55.
This is what the love of fashion can spawn. Our very devoted fashion contributer Max, has just outlined a veritable THESIS on directional fashion photographer Steven Meisel. Intense no? If Max does pull it off, this could well be a scholarly book sold in college bookstores worldwide. Make room Madonna!
Submitted by Wayne on Mon, 2007-11-26 04:20.
Everytime someone says "the next Tyson Beckford" I'm apt to roll my eyes. Beckford was a very unique moment where a visionary agent, a smart client and a multi-cultural zeitgest brewed a perfect booking storm.But looking at the slow build of Oraine Barrett's bookings over the past three years, TI senses a pattern building for this Jamaican school boy athlethe-turned-model. From Abercrombie and Fitch to amazing edits in Arena Homme + and September's Vogue Italia with Meisel, this young model is evolving very audaciously. It's only instinct but our model sixth sense is signalling an upcoming breaktrough moment for this male mannequin. Oraine is already looking very campaign ready in these new snaps Major's Jason Kanner sped over to us last night.
Submitted by Wayne on Wed, 2007-10-31 16:10.
Submitted by Wayne on Wed, 2007-10-31 00:10.
That legendary grunge moment in fashion ! That grunge collection of Marc Jacob's for Perry Ellis that got him fired (and sent him on the road to Vuitton). That incredible 1992 Meisel shoot for US Vogue that counts as one of the most legendary editorials of all time. Here's Max's latest installment from his reference library.
The year was 1992. Kate Moss, Corrine Day, Juergen Teller, David Sims are all on their way up and are creating a new style of fashion out of London via The Face and ID. How will the gatekeepers of cool in NY react? For Marc Jacobs, the style of American bands like Pearl Jam and Nirvana was like a gift from heaven, because with the music, came a very specific look. Marc takes the flannel and the thermals, the vintage dresses worn with combat boots and turns it into a deluxe collection in silk and cashmere with the prices to match. Steven Meisel takes the super-glamorous supermodels Nadja and Naomi and Kirsten and strips them of all the usual make-up for a very dressed down look. The Old Guard in fashion nearly lose their minds but the kids love it. It is one of the boldest statements ever seen in a mainstream magazine and that's why we rank it right up there as one of the fabulous editorials ever!