Branchitude loves to color block. I'm not mad.
Submitted by Wayne on Wed, 2013-10-23 18:25.
Persistence of Vision: Marina Abramović's Kickstarter Campaign For The Marina Abramović Institute by OMASubmitted by Wayne on Tue, 2013-07-30 14:57.
EAGERLY ANTICIPATING: PERFORMA 11 OPENING NIGHT WORLD PREMIERE OF ELMGREEN & DRAGSET'S HAPPY DAYS IN THE ART WORLD:Nov 1Submitted by Wayne on Fri, 2011-10-14 20:57.
Submitted by Wayne on Wed, 2011-04-20 21:19.
Submitted by Wayne on Tue, 2009-04-07 21:20.
Art Break April 7 2009
Submitted by Wayne on Sun, 2007-08-26 03:50.
Chris Burden's dedication to the ideal of the extreme has made a myth of the man. From his graduate piece in his Master Of Fine Arts program at UC Irvine where he locked himself in a school locker for five days, to his decision in November 1971 to make a piece called "Shoot", in which a friend fired a gun fifteen feet away from him to create a "wound" as art piece, Burden has certainly pushed art's self-definition to its edge. Almost self-destructively so. But it is the April 23 1974 performance, in Venice California when Burden had himself cruxified to a Volkswagen and then driven for probably a good 30 seconds on a speedway, that his place was secured in the annals of art infamy. It was supposed to be the kind of anti-art, not made for consumption or for that matter- for posterity - but here it is, one of the greatest images in contemporary art history and the cover moment of the must-buy overview of Burden's work. Currently available via D.A.P. By Locus and Publishing Co. $85.00.