ID Magazine

Early George Harvey image

For a young man who cuts such a clear path through the London Fashion Scene, photographer George Harvey is one of the most unaffected new talent you could hope to find. But don't let the nonchalance fool you. In record time Mr Harvey has been ensconced in the ID camp, shooting covers and edits with a striking graphic quality and a beautiful sense of color control. George's images are pop, now , tight, fast and fluid. Tune in as he shares with TI his thoughts on the image trade.

Matthew Miller Menswear PH: Andrew Vowles Styling : Elgar Johnson via ID Issue 312

Graphic color play presented with rigor of cut

The eclectic mix of Kanye 's collaborators (Rushka, Fabien, m/m Paris, George Condo, Selita) is very much the cultural hotness

Three years ago when TI sparked up , the big dream was to be amongst a group of young new creatives who would come off the "streets" so -to-speak,

Mr Rob Evans of AMCK . Image via showstudio.com

After causing a stir as look No 20 at Givenchy Men's Spring 11, Mr Rob Evans from AMCK Models in London is ready for his close-up.

PH Roe Ethridge: Untitled Color Photo

Ok so via that fantastic Missoni ad with Hanne, Mr McGinley is deeply in.

TI adores this snap of Henry and Isaiah and is not the least bit frightened of their very long knives.

In the wake of his awesome monograph "In Love With Beauty" ( Steidl)

Happy Thanksgiving from Purple from Purple Magazine on Vimeo.

But however does one get the signature ID wink in

News travels fast these days which is why TI is speeding the hiss hot from London that ID's 300th issue due this summer is a blockbuster affair with multiple covers.

Get into the kaledescopic Katja Rahlwes experience at katja.rahlwes.free.fr/

"Anything that triggers you to take a picture is a creative and personal decision . That is the moment that you're saying, I need that . I need to see more of that. This is what I've been looking for and no one else could give it to me . That's what makes your work specific. That's how people can recognize your work."

Katja Rahlwes in a conversation with TI

Aline Weber: One Mgmt: in ID Sept 08 PH Richard Bush via tfs