Bordieu cut his reputation at the Collège de France and at Ecole des hautes e'tudes en sciences sociales
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photography booksCURRENT READING: PHOTOGRAPHY : A Middle-Brow Art: An Essay on the Social Uses of Photography: PIERRE BOURDIEUSubmitted by Wayne on Mon, 2013-04-01 18:48.TI IS MAD FOR: VIVIANE SASSEN'S PARASOMNIASubmitted by Wayne on Sun, 2012-01-08 00:37.CURRENT READING: CAMERA LUCIDA: REFLECTIONS ON PHOTOGRAPHY: BARTHESSubmitted by Wayne on Fri, 2011-07-29 19:57.EAGERLY ANTICIPATING: Michael Dweck: Habana Libre (Damiani editore, Italy)Submitted by Wayne on Thu, 2011-07-07 00:02.
"Behind the clichéd press images of vintage cars, crumbling buildings, peeling paint and a struggling unhappy people held back from progress, lays a hidden society of Cuba's most influential people - the creative class. It is a socially connected group of keenly observant artists, glamorous models, filmmakers, musicians and writers captured in an elaborate dance of survival and success. Their lives are a constant play of appearances; they are the privileged class in a classless society." Michael Dweck: Habana Libre CURRENT READING: BRETT LLOYD: THE QUIETER POSTER BOYS : EXCLUSIVELY AT DASHWOOD BOOKS (NYC)Submitted by Wayne on Mon, 2010-09-06 18:13.CURRENT READING: THREE HUNDRED AND SEVENTEEN AND COUNTING: COVERS FOR VOGUE ITALIA 1988-2009: STEVEN MEISEL : MALLARD JANVIERSubmitted by Wayne on Tue, 2009-06-02 18:50."The freedom that Steven Meisel enjoys on Italian Vogue is exceptional , as is the length of the collaboration and its systematic nature, both unprecedented in the field. A quick look at the covers of US Vogue created by Meisel is enough to convince: one sees the same girls but there is no hint of a story nor shadow of a meaning." From the intro of " Three Hundred And Seventeen And Counting" |


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