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A SINGULAR PRESENCE: KATLIN AT MARILYN: PH: DEAN RODGERS

Katlin: Marilyn: PH Dean RodgersKatlin: Marilyn: PH Dean Rodgers

Girl 1 at Prada FW 09 (and singular presence in the campaign),

HELMUT NEWTON: 'Playing WD Paris' (1980)

Paris in 1980 was certainly more...sybaratic .Paris in 1980 was certainly more...sybaratic .

Legend has it that on Newton shoots, if anyone were to ask for one of his polaroids as a keepsake,

WILL DAVIDSON: THE POETICS OF THE PERSONAL Part 1

Dance Series: Photographed by Will DavidsonDance Series: Photographed by Will Davidson

Enterprising young photographer Will Davidson has been lensing up a storm for the likes of ID, Dazed and Confused, V Magazine and V Man,

CONTRIBUTING EDITOR IS THE FUTURE!

Le Freak C'st Chic edit PH: Colin Lane: Styling+Casting: James Worhington Demolet for Contributing EditorLe Freak C'st Chic edit PH: Colin Lane: Styling+Casting: James Worhington Demolet for Contributing Editor

I deeply admire the conceit and the commitment of Contributing Editor as a way of platforming new fashion talent online.

TI IS MAD FOR: THE PHOTOGRAPHY OF MAXIME DU CAMP

Maxime Du Camp (1822-1894); 'Nubie, Ibsamboul, Colosse Médial du Spéos de Phré', (Nubia, Abu Simbel, middle colossus)Maxime Du Camp (1822-1894); 'Nubie, Ibsamboul, Colosse Médial du Spéos de Phré', (Nubia, Abu Simbel, middle colossus )

In the early part of the 19th century, a tradition sprang up of European travelers exploring " lost kingdoms" in the Middle East and using the timely invention of the camera to capture these forays into worlds previously unseen

DESPERATELY SEEKING: LARRY CLARK'S TEENAGED LUST

Larry Clark's legendary "Teenaged Lust", unlike "Tulsa" has not been reissuedLarry Clark's legendary "Teenaged Lust", unlike "Tulsa" has not been reissued

CURRENT READING: THREE HUNDRED AND SEVENTEEN AND COUNTING: COVERS FOR VOGUE ITALIA 1988-2009: STEVEN MEISEL : MALLARD JANVIER

Its gag-worthyIts gag-worthy

"The freedom that Steven Meisel enjoys on Italian Vogue is exceptional , as is the length of the collaboration and its systematic nature, both unprecedented in the field. A quick look at the covers of US Vogue created by Meisel is enough to convince: one sees the same girls but there is no hint of a story nor shadow of a meaning."

From the intro of " Three Hundred And Seventeen And Counting"

REFERENCE LIBRARY: BIG 14: BEYOND COOL: BOB RICHARDSON

Debbie Deitering PH: Bob Richardson from Big # 14 : Beyond CoolDebbie Deitering PH: Bob Richardson from Big # 14 : Beyond Cool

'You can't be afraid to suffer. If you're afraid to suffer, you'll never be an artist. Editors used to say "Bob, why are you so difficult?" And I'd say "Listen, I'm not just a photographer -you don't understand -I'm an artist who happens to use a camera. You're not dealing with me right, you're talking to me like I'm some photographer. I don't know how to do what you're asking me to do. I only know how to do what I do. You're making me feel stupid and I'd appreciate if you wouldn't do that."

Bob Richardson in Big #14, 1996.

16/08/07 15h58 by Christian Chaize | 44" x 37" Lambda print | Edition of 9 |

TI's mind is somewhere else today...TI's mind is somewhere else today...

Art Break, May 18 2009.

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