The grid, the repitition, the composition...the rhythmic quality of Lukacs' polaroids have a compelling quality that allows them to transcend their initial purpose as preparatory work for his paintings.
Submitted by Wayne on Tue, 2011-02-08 21:23.
Submitted by Wayne on Thu, 2011-01-06 02:47.
Current Reading: Cristóbal Balenciaga, Philippe Venet, Hubert de Givenchy : by Christiane de Nicolay-Mazery: Flammarion, 2011Submitted by Wayne on Mon, 2010-12-20 00:56.
CURRENT READING: CAFE SOCIETY: SOCIALITES, PATRONS AND ARTISTS 1920-1970: THIERRY COUDERT: FLAMMARIONSubmitted by Wayne on Fri, 2010-12-03 00:27.
I was drifting through The Strand when I bumped into Thierry Coubert's "Cafe Society", graced by this very haughty portrait of Barbara Hutton on the cover. You might want to despise Ms Hutton's evocation of perfect arrogance in this image. The serious jewels, the angular plane of those cheekbones , that tight mouth, the bouffant coiled to look like a frozen froth, the careless hand gesture with the cigarette held at a distance from the body. The dog,…the fur shrug…the floral dress. Look at how it creates a visual melange of absolute self-indulgence. It is like the best Vogue Italia cover that never was.
Submitted by Wayne on Mon, 2010-11-22 22:42.
Submitted by Wayne on Fri, 2010-11-05 14:25.
"We grew up in a world where it was ok to exchange ideas with other people, and it wasn’t so rigid, and it's like what you said about the new wave and punk movement, it was much more raw and tougher and it was about a bunch of people who had something to say. It wasn't so boxed in and so pre-fabricated. It was something very organic and cool and very hard, you know, which is great."
Marc Jacobs in conversation with Maripol, excerpted from Little Red Riding Hood.
Submitted by Wayne on Fri, 2010-10-22 19:05.
Submitted by Wayne on Thu, 2010-10-14 17:43.
This one goes out to the long lost memory of that certain college professor that made me read "Writing and Difference" as a part of his "Film and Philosophy" course. At the time I don't think I consciously understood a word of this early foray of Mr. Derrida into the field that came to be known as "Deconstruction". Deconstruction was so hot in the 90's it even became a fashion movement. Jacques Derrida was so hot in the 80's Scritti Polliti crooned an ode to him. How's that for cultural impact? Upon re-reading "Writing and Difference" these past few days (I will not front and say I'm anywhere close to finishing) , something occurred to me.
At the time I may not have consciously "gotten" Derrida's call to "new ways of thinking, reading, and writing,—new ways based on the most complete and rigorous understanding of the old ways" but I was very unconsciously inspired it. I think I'm currently in a process of experimentation based on that provocative thought that perhaps the body of Western knowledge we carry culturally is far from a complete and objective truth. If you like rebel energy then this great French thinker's invitation to, in essence, "question everything" is one of those compelling calls to intellectual freedom akin to The Sex Pistols screaming "I am an anarchist. I am the anti-christ."
Current Reading: Inside The White Cube : The Ideology Of The Gallery Space : Expanded edition : Brian O'Doherty.Submitted by Wayne on Sat, 2010-09-11 19:57.
Submitted by Wayne on Mon, 2010-09-06 18:13.