Tom Ford

The essence of that All American brand is glitter, shimmer, lamé and glam.

We've been trained to think of high American style as something inferior to what is proposed in Europe

Tom Ford FW 11 : opulence on top of opulence on top of opulence Image via Another Man PH Jeff Burton

Having signed onto to the Fashion Witness Protection Program TI can safely hiss a few of those details from the Tom Ford FW 11 .

As New York winds down much of fashion's consciousness is now tilting towards Mr Ford's London extravaganza

You know what the ultimate Tom Ford product might be?

Didn't Mr Ford once say his business ideal is to build a brand with the quality of a Chanel or a Hermes

To all those 10 figure entities out there looking to buy into a mint fresh luxury brand here's a tip.

Rad's Robot Army SS11

At Milk. Reception still sucks but the hiss kettle is singing...Stop..

TI should Twitter because truly the hiss on his lips right this minute is too twisted....

Corey Baptiste is the new boy to know right this minute. Trust.

TI has been roaming those long nights in search of that special brand of high grade hiss that only a drunk and messy Fashion Week shebang can yield.

Then there was absolute darkness. The spotlights came back up. And there it was...the cut out white gown. Tom Ford knew!

First up, respect to James Tinnelly for turning me on to the YouTube vid of this Tom Ford Gucci epic. It was opened by Kate (and she ATE her every exit).

Aline Weber and Nicholas Hoult:Two of the beautiful young things from Tom Ford's "A Single Man" now on Blu Ray and DVD

Call it a very delayed reaction but I finally had my moment with "A Single Man", Tom Ford's debut film

The King Of Pop with style oracle Rushka Bergman

TI is off to the movies to see "This Is It" on a prompt from Micheal's last stylist Miss Rushka Bergman. Rushka began working with Micheal Jackson after styling the legend for the October 2007 cover of L'Uomo Vogue that celebrated the 25th anniversary of Thriller. For the imaging of Micheal's look for the concert , Bergman collaborated with Christophe Decarnin for Balmain, John Galliano, Kris Van Assche for Dior Homme, Riccardo Tisci for Givenchy, Erickson Beamon and Giuseppe Zanotti on creating a series of outfits that drew on Jackson's 40 year legacy as a performer. Especially dazzling were the sharp shouldered motorcycle jacket rendered in Thriller-red leather, the tuxedo jacket studded with crystals and a suede military jacket all by Christophe Decarin. How directional and influential would a live glimpse of all this been! As Ruska explains